These pinhole photographs discuss 'signature' buildings from an era when world-renowned architects were procured to design image-conscious architecture. The intention behind the planning strategy at the time was to change the image of post-industrial places from heavy manufacturing to leisure. The photographs play with the idea of the architecture as heroic, exploring tensions and rifts between the building and its surroundings. A mythology grew that architecture could change the fortunes of cities but this kind of building was also heavily criticised for becoming detached from the locality. The work reflects on the photographic reappearing in the aspect of the architecture. The pinhole aesthetic was used to emphasize the idea of the image - the ‘real’ is generally marked in photographs by super-sharpness. The photographs’ and buildings’ status as image is further amplified by layering