Daro Sulakauri and Mishiko Sulakauri
Bushes sway, some things get lost
Drawing on the work of two local artists, Daro Sulakauri
and Mishiko Sulakauri, the exhibition offers a compelling combination of visual
data and intimate stories to explore the ongoing conflict over seized lands and
its impact on indigenous communities living on the edge of the border. The physical information presented in the
exhibition will highlight the lived experiences of indigenous communities who
are often marginalized and silenced in discussions about land ownership and
resource extraction. Visitors will hear directly from those who have experienced
the conflict firsthand, including stories of loss, displacement, and trauma. The show explores the power dynamics at play in
the conflict, including the oppressive tactics used by occupiers to maintain
control over the land and its resources. At
the he art of the exhibition is the recognition that the political border is
not simply a line on a map, but a lived reality for the local people living on
the edge of Georgian villages. The exhibition will encourage visitors to
reflect on their own relationship to borders, boundaries, and the land, as well
as to consider the broader implications of the conflict for indigenous
communities and the environment.
Mikheil (Mishiko) Sulakauri (Georgia, 1996) is an
interdisciplinary artist based in Tbilisi, Georgia.
His research explores critical issues that
transcend histories, borders, power dynamics, environmental and social trance.
His work questions systems of consumption, production, and human interaction,
driven and informed by auto-ethnography.
He is co-founder of art collective Tsru (ცრუ) (2017) generating art in the very heart of the city, researching how Georgian typography and culture is layered through time. He has developed site-specific installations in Kharkiv’s Nuclear Research Institute and Tbilisi’s underground Metrostations. He was nominated in the field of visual arts at Tsinandali Award for Young Artists andScientists 2019 and participated in the Oxygen Biennials (2019,2021) in Tbilisi , Kunstraum LLC 2020 (NYC), Kunstlerhouse Faktor 2019 (Hamburg, GER), Artisterium Contemporary Art Festival 2020, Tbilisi Architecture Biennial 2018. In 2021 was the first year he curated aResidency Program for Museum Of Human Achievement ( Austin, Texas ).
Daro Sulakauri is a Georgian photojournalist.
Using mixed media with documentary andcontemporary approach, her work
chronicles the social and political issues in the Caucasus. She graduated from
the International Center of Photography in New York, where she wasawarded the
John and Mary Phillips Scholarship and ICP Director's Fund for her work on
theanti-war movement in New York. Upon completing her studies, she returned to
the Pankisi Gorge in Georgia to document a hidden narrative of the Chechen
conflict in an outpost of refugees which won her Young Photographers in
Caucasus Award from Magnum Photos in 2009. Sulakauri’s work on early marriages
in Georgia was awarded the first prize by
LensCulture, EU prize for journalism and Human
Right House in London. She was included in a list of 30 under 30 Women
Photographers and Photo District News' 30 emerging photographers to watch. Daro
was a participant of the World Press Photo Joop Swart Masterclass 2017 and
Reuters Photojournalism grantee. Sulakauri is a recent Catchlight global fellow
2023. Her work has appeared in exhibitions worldwide and can be seen in
publications for The New
York Times, National Geographic, Forbes, Der
Spiegel, Times, The Economist, Bloomberg, Die Zeit, Geo Magazine among others.
She currently lives and works in Georgia.
The exhibition was made possible by the support of Catchlight.io